A Jungian Analysis of Atwood's Surfacing.
Surfacing by Margaret Atwood is often considered a modern myth because of the qualites of myth that the novel possesses. The unnamed narrator returns to Quebec with her partner and another couple.
The Feminine Quest in Surfacing and Song of Solomon Margaret Atwood in her novel Surfacing and Toni Morrison in her novel Song of Solomon require their heroines to pass through a stage of self-interpretation as a prerequisite for re-inventing the self. This stage in the feminine journey manifests a critical act typically absent in the traditional male journey, and one that places Atwood and.
Surfacing is a novel by Canadian author Margaret Atwood. Published by McClelland and Stewart in 1972, it was her second novel. Surfacing has been described by commentators as a companion novel to Atwood's collection of poems, Power Politics, which was written the previous year and deals with complementary issues.
Throughout Surfacing, the narrator’s feeling of powerlessness is coupled with an inability to use language. When she goes mad, she cannot understand David’s words or speak out against his advances. Similarly, when the search party comes for her, she cannot understand their speech, and her only defense from them is flight.
The final part of the present work aims to apply the conclusions made in the previous paragraphs of the analysis to the ending and title of the novel. In their study on the role of duality in Atwood’s works, Constance Classen and David Howes make a remark of “her frequent references to mirrors”, which may be found in a variety of writer’s poems and novels (1) (par. 2). In Surfacing.
Feminism in Margaret Atwood's Surfacing essays Feminism is one of the most important themes during the 1970s. For centuries, women have been subjected to a male-dominated society. Recent history however, women start to struggle with what their roles should be in the society. As a female wri.
To truly delve into Margaret Atwood’s Surfacing, a reader must understand the symbolic meaning of a mirror in the novel as well as on its function as an object of symbolisation itself implemented through the characters, their interrelations, and faculties of mind, such as memory and perception.After an examination of mirror as a physical object in the novel, this paper proceeds to provide an.